Eva's work captures the viewer's attention with its combination of idiosyncratic elements in one single space. Eerie yet beautiful, her work recalls Dadaist and Surrealist artists in its use of photomontages, dépaysement technique where objects are placed in entirely unexpected spaces, and use of typography. As Dadaist and Surrealist artists did, Eva has chosen collages for a more liberal creation. These diverse techniques have enabled her to represent feelings and images in her mind more freely than before. Eva adds geometrical lines and figures to the cuttings of photographs. They work as the medium bridging the isolated self to the outside world and closing the gap between the reality and the unreality.

The artist explains that the theme of her work is influenced by three elements forming one's psyche: the ego, the personal unconscious, and the collective unconscious, based on the Analytical Psychology of Carl Gustav Jung. While the ego consists of perception, memory, and thought, the personal unconscious is a reservoir of materials that would emerge in the sphere of the conscious with ease. On the contrary, unlike the personal unconscious, a reservoir of individual experiences, the collective unconscious is something evolved from the accumulation of collective memories and thoughts of humankind throughout many generations. Eva embarks on her work without conceiving any result in advance. Instead, she gradually completes her work, following the stream of consciousness, spontaneously occurring emotion and psychological reaction, resulting in an integrated operation of these three factors.

This exhibition brings together her collages and other drawings that have not been shown to the public, thereby offering a chance to appreciate her diverse art world. Her 30 artworks on display in the exhibition will provide viewers with an opportunity to experience her free-flowing imagination and ideas, transcending the limit of our reason in contemporary society that pursues something apparent and mechanical.